Newtown Divided (full documentary) | FRONTLINE

As new questions arise about Boeing’s troubled 737 Max jet, FRONTLINE and The New York Times update an award-winning investigation into the design, oversight and production of a plane that was involved in two crashes that killed 346 people. In October 2018, a Boeing 737 Max passenger jet crashed shortly after takeoff off the coast of Indonesia. Five months later, following an eerily similar flight pattern, another 737 Max 8 went down in Ethiopia. Everyone on board the flights died. "Boeing's Fatal Flaw" tells the inside story of what led up to the crashes — revealing how intense market pressure and failed oversight contributed to tragic deaths and a catastrophic crisis for one of the world’s most iconic industrial names. This updated documentary also examines what’s happened since the original film first aired in 2021, including the January 2024 Alaska Airlines incident where a panel blew off a Boeing 737 Max jet’s body midair, and how Boeing has responded. Explore additional reporting related to "Boeing’s Fatal Flaw" on our website: FRONTLINE is produced at GBH in Boston and is broadcast

It’s been 15 years since the rebellion in Syria against Bashar al-Assad’s government began. “The Regime” examined how the uprising started and the brutal crackdown that followed. (Aired 2011) On March 6, 2011, young boys painted messages on the walls of a school 60 miles south of Syria’s capital, Damascus. “Freedom, freedom and freedom, only,” read one message. “Down with the corrupt Assad,” read another. Soon after, the boys were rounded up by the government’s secret police. Their fathers went to see the police chief, a cousin of Syria’s then-president, Bashar al-Assad, and begged him to release their children. Airing later that year, “The Regime” examined what happened to the boys, and how outrage over their fate helped to fuel the Syrian uprising. “That very instance of repression, of torture, seemed to galvanize the town itself,” the late reporter Anthony Shadid said in the documentary. “And almost from that moment, the uprising seemed to gain momentum.” As Syrians took to the streets to protest and to call for more freedoms, the swift and brutal response by Assad’s security forces followed

FRONTLINE, WFAE & Firelight Media investigate the long waits for mental health care that defendants who are deemed too sick to stand trial face in North Carolina. From FRONTLINE (PBS)’s Local Journalism Initiative, the Charlotte, North Carolina, NPR station @WFAENews and @FirelightMediaNYC, “Fractured” examines how the country’s mental health crisis is playing out within the criminal justice system in North Carolina, a state where it’s been harder to access mental health care than in most others. "We've found that these defendants may wait months in jail, sometimes more than a year, for the treatment they need to be deemed well enough to go to court," says “Fractured” correspondent, writer and producer Dana Miller Ervin. “In some cases, these defendants can get sicker while they wait for admission to a state hospital.” Ervin has been investigating access to mental health care in North Carolina for WFAE for the past two years with the support of FRONTLINE’s Local Journalism Initiative. The initiative is an innovative effort to support and strengthen investigative reporting in communities around the country. It launched in 2019 with

An inside look into the controversy over the Wal-Mart way of doing business, investigating whether the retail giant changed the American economy. (Aired 2004) In "Is Wal-Mart Good for America?," FRONTLINE offered two starkly contrasting images: one of empty storefronts in Circleville, Ohio, where the local TV manufacturing plant had closed down; the other, a sea of high rises in the South China boomtown of Shenzhen. The connection between American job losses and soaring Chinese exports? Wal-Mart. Through interviews with retail executives, product manufacturers, economists and trade experts, correspondent Hedrick Smith does a deep dive into the company’s business practices. FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; the Heising-Simons Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and

Decades after the Vietnam War shattered his childhood, journalist Nguyen Qui Duc traveled to his homeland and documented the changes he witnessed in the country. (Aired 2003) Decades ago, the Vietnam War shattered Nguyen Qui Duc’s childhood. Over the years, Nguyen, who came to the U.S. as a refugee, returned to his homeland as a journalist, reporting on the country’s culture and establishing connections with writers and artists living there. In 2003, he documented a journey through Vietnam for FRONTLINE/World, looking, he said, “for home, for a bit of myself, for a country that always exists in my memory.” As Nguyen traveled to different parts of the country in “Vietnam: Looking for Home,” he shared his reflections about the nation: “It’s easy to remember Vietnam has a habit of adopting and resisting changes. The culture, the people, will survive.” Several years after “Vietnam: Looking for Home” aired, Nguyen returned to Vietnam, this time for good. He filed occasional dispatches with FRONTLINE and FRONTLINE/World, and opened an influential arts and culture salon that pushed the boundaries of Vietnam’s communist government. Nguyen

A 2004 examination of India’s AIDS crisis through the eyes of girls and young women sold into sex work, originally aired as part of the FRONTLINE/World series. (Aired 2004) Starting with “India: The Sex Workers,” we are making episodes from FRONTLINE/World’s archive newly available here on the original video platform and on pbs.org as part of an effort to make our past reporting widely accessible. Originally developed by FRONTLINE producers in conjunction with public television stations KQED San Francisco and WGBH Boston, FRONTLINE/World launched in 2002 as a national public TV series that turned its lens on the global community, covering countries and cultures rarely seen on American television. The series completed its final broadcast season in 2010. At the time this FRONTLINE/World documentary was filmed, more than two million women and girls were working in India’s sex trade, and being forced to navigate their country’s AIDS crisis. With more than 4.5 million HIV infections across India at the time, often, the women and girls’ only defense against HIV was convincing men to wear condoms. But frequently, the documentary revealed