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About Is Wal-Mart Good for America? (full documentary) | FRONTLINE

An inside look into the controversy over the Wal-Mart way of doing business, investigating whether the retail giant changed the American economy. (Aired 2004) In "Is Wal-Mart Good for America?," FRONTLINE offered two starkly contrasting images: one of empty storefronts in Circleville, Ohio, where the local TV manufacturing plant had closed down; the other, a sea of high rises in the South China boomtown of Shenzhen. The connection between American job losses and soaring Chinese exports? Wal-Mart. Through interviews with retail executives, product manufacturers, economists and trade experts, correspondent Hedrick Smith does a deep dive into the company’s business practices. FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; the Heising-Simons Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and

Is Wal-Mart Good for America? (full documentary) | FRONTLINE is presented by FRONTLINE PBS | Official. Its listed runtime is 55 minutes. The source link and publisher attribution are provided with the embedded film.

As a society documentary, Is Wal-Mart Good for America? (full documentary) | FRONTLINE uses america, frontline as its central frame. Social documentaries work best as invitations to examine systems through lived experience. Distinguish individual testimony from wider claims, and consider which institutions, incentives and inequalities shape the choices shown.

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Documentary details and original source

Title
Is Wal-Mart Good for America? (full documentary) | FRONTLINE
Category
Society
Runtime
55 minutes
Language
English

Free Documentary Vault provides independent discovery, organization and editorial context. The film remains hosted by its original publisher, who controls availability and playback.

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