The Untouchables (full documentary) | FRONTLINE

FRONTLINE and The Wall Street Journal investigate the decades-long failure to stop a government doctor accused of sexually abusing Native American boys, and examine how he moved from reservation to reservation despite warnings. (Aired 2019) Wall Street Journal reporters Christopher Weaver, Dan Frosch and Gabe Johnson spent more than two years investigating the Indian Health Service, the federal agency that provides healthcare for Native Americans. In collaboration with FRONTLINE, they found that the agency employed a number of problem doctors, including Dr. Stanley Patrick Weber, a pedophile who — despite the suspicions of co-workers up and down the chain of command — continued treating children for more than two decades. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.

In this 2015 documentary, FRONTLINE traces Vladimir Putin’s ascent from unemployed spy to modern-day czar, and investigates the accusations of criminality and corruption that have surrounded his reign in Russia. (Aired 2015) In this 2015 film, a coproduction with the Canadian Broadcasting Corporation, producer Neil Docherty and correspondent Gillian Findlay traced Putin’s career back two decades to his political start in St. Petersburg, where allegations of corruption began almost immediately. Drawing on firsthand accounts from exiled Russian business tycoons, writers and politicians, as well as the exhaustive research of scholar and best-selling “Putin’s Kleptocracy” author Karen Dawisha, the film examined troubling episodes in Putin’s past, from alleged money-laundering activities and ties to organized crime, to a secret personal fortune said to be in the billions. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of

An investigation by FRONTLINE and ProPublica into how the BP Deepwater Horizon explosion in the Gulf of Mexico was preceded by countless safety violations. Could the spill have been prevented? (Aired 2010) Long before the Deepwater Horizon explosion in the Gulf, BP was widely viewed as a company that valued deal-making and savvy marketing over safety, a “serial environmental criminal” that left behind a long trail of problems — deadly accidents, disastrous spills, countless safety violations — which many now believe should have triggered action by federal regulators. Each time, BP acknowledged the wider flaws in its culture and promised to do better. But from the refineries to the oil fields to the Gulf of Mexico, BP workers understood that profits came first. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; the Heising-Simons Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the

An investigation into sex abuse by United Nations peacekeepers in the world’s conflict zones. (Aired 2018) Award-winning correspondent Ramita Navai (Iraq Uncovered) traces allegations from Congo to the Central African Republic, with firsthand accounts from survivors, witnesses and officials. Some survivors were as young as 10 when they say they were raped or exploited by UN peacekeepers who were supposed to protect them. The film explores the failures and constraints of the UN — which has the authority to fire people, but not prosecute them — and the role of member states in dealing with the problem. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.

Decades after the Vietnam War shattered his childhood, journalist Nguyen Qui Duc traveled to his homeland and documented the changes he witnessed in the country. (Aired 2003) Decades ago, the Vietnam War shattered Nguyen Qui Duc’s childhood. Over the years, Nguyen, who came to the U.S. as a refugee, returned to his homeland as a journalist, reporting on the country’s culture and establishing connections with writers and artists living there. In 2003, he documented a journey through Vietnam for FRONTLINE/World, looking, he said, “for home, for a bit of myself, for a country that always exists in my memory.” As Nguyen traveled to different parts of the country in “Vietnam: Looking for Home,” he shared his reflections about the nation: “It’s easy to remember Vietnam has a habit of adopting and resisting changes. The culture, the people, will survive.” Several years after “Vietnam: Looking for Home” aired, Nguyen returned to Vietnam, this time for good. He filed occasional dispatches with FRONTLINE and FRONTLINE/World, and opened an influential arts and culture salon that pushed the boundaries of Vietnam’s communist government. Nguyen

A 2004 examination of India’s AIDS crisis through the eyes of girls and young women sold into sex work, originally aired as part of the FRONTLINE/World series. (Aired 2004) Starting with “India: The Sex Workers,” we are making episodes from FRONTLINE/World’s archive newly available here on the original video platform and on pbs.org as part of an effort to make our past reporting widely accessible. Originally developed by FRONTLINE producers in conjunction with public television stations KQED San Francisco and WGBH Boston, FRONTLINE/World launched in 2002 as a national public TV series that turned its lens on the global community, covering countries and cultures rarely seen on American television. The series completed its final broadcast season in 2010. At the time this FRONTLINE/World documentary was filmed, more than two million women and girls were working in India’s sex trade, and being forced to navigate their country’s AIDS crisis. With more than 4.5 million HIV infections across India at the time, often, the women and girls’ only defense against HIV was convincing men to wear condoms. But frequently, the documentary revealed