The Power of Big Oil, Part Three: Delay (full documentary) | FRONTLINE

Watch part two of “The Power of Big Oil,” a three-episode FRONTLINE docuseries investigating the fossil fuel industry’s history of casting doubt and delaying action on climate change. Part two, “Doubt,” chronicles how, as scientific evidence of human-caused climate change mounted in the 2000s, the industry continued to question the science, and went to new lengths to shape American politics and stall climate policy. “The Power of Big Oil” is a FRONTLINE Production with Mongoose Pictures in association with BBC and Arte. The series producer is Dan Edge. The producer and director of episode 2 is Gesbeen Mohammad. The editorial consultant is Russell Gold. The senior producers are James Jacoby and Eamonn Matthews. The executive producer for FRONTLINE is Raney Aronson-Rath. FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, the John D. and Catherine T. MacArthur Foundation, Park Foundation, the Heising-Simons Foundation; and the FRONTLINE Journalism Fund

Watch part one of “The Power of Big Oil,” a three-episode FRONTLINE docuseries investigating the fossil fuel industry’s history of casting doubt and delaying action on climate change. Go inside the decades-long failure to confront the threat and increasing impacts of climate change in “The Power of Big Oil.” This deeply researched docuseries reveals what scientists, corporations and politicians have known about human-caused climate change for decades, and the missed opportunities to mitigate the problem. “The Power of Big Oil” is a FRONTLINE Production with Mongoose Pictures in association with BBC and Arte. The series producer is Dan Edge. The producer and director of episode 1, “Denial,” is Jane McMullen. The editorial consultant is Russell Gold. The senior producers are James Jacoby and Eamonn Matthews. The executive producer for FRONTLINE is Raney Aronson-Rath. FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, the John D. and Catherine T.

An investigation by FRONTLINE and ProPublica into how the BP Deepwater Horizon explosion in the Gulf of Mexico was preceded by countless safety violations. Could the spill have been prevented? (Aired 2010) Long before the Deepwater Horizon explosion in the Gulf, BP was widely viewed as a company that valued deal-making and savvy marketing over safety, a “serial environmental criminal” that left behind a long trail of problems — deadly accidents, disastrous spills, countless safety violations — which many now believe should have triggered action by federal regulators. Each time, BP acknowledged the wider flaws in its culture and promised to do better. But from the refineries to the oil fields to the Gulf of Mexico, BP workers understood that profits came first. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; the Heising-Simons Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the

FRONTLINE and The Wall Street Journal investigate the decades-long failure to stop a government doctor accused of sexually abusing Native American boys, and examine how he moved from reservation to reservation despite warnings. (Aired 2019) Wall Street Journal reporters Christopher Weaver, Dan Frosch and Gabe Johnson spent more than two years investigating the Indian Health Service, the federal agency that provides healthcare for Native Americans. In collaboration with FRONTLINE, they found that the agency employed a number of problem doctors, including Dr. Stanley Patrick Weber, a pedophile who — despite the suspicions of co-workers up and down the chain of command — continued treating children for more than two decades. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.

Decades after the Vietnam War shattered his childhood, journalist Nguyen Qui Duc traveled to his homeland and documented the changes he witnessed in the country. (Aired 2003) Decades ago, the Vietnam War shattered Nguyen Qui Duc’s childhood. Over the years, Nguyen, who came to the U.S. as a refugee, returned to his homeland as a journalist, reporting on the country’s culture and establishing connections with writers and artists living there. In 2003, he documented a journey through Vietnam for FRONTLINE/World, looking, he said, “for home, for a bit of myself, for a country that always exists in my memory.” As Nguyen traveled to different parts of the country in “Vietnam: Looking for Home,” he shared his reflections about the nation: “It’s easy to remember Vietnam has a habit of adopting and resisting changes. The culture, the people, will survive.” Several years after “Vietnam: Looking for Home” aired, Nguyen returned to Vietnam, this time for good. He filed occasional dispatches with FRONTLINE and FRONTLINE/World, and opened an influential arts and culture salon that pushed the boundaries of Vietnam’s communist government. Nguyen

A 2004 examination of India’s AIDS crisis through the eyes of girls and young women sold into sex work, originally aired as part of the FRONTLINE/World series. (Aired 2004) Starting with “India: The Sex Workers,” we are making episodes from FRONTLINE/World’s archive newly available here on the original video platform and on pbs.org as part of an effort to make our past reporting widely accessible. Originally developed by FRONTLINE producers in conjunction with public television stations KQED San Francisco and WGBH Boston, FRONTLINE/World launched in 2002 as a national public TV series that turned its lens on the global community, covering countries and cultures rarely seen on American television. The series completed its final broadcast season in 2010. At the time this FRONTLINE/World documentary was filmed, more than two million women and girls were working in India’s sex trade, and being forced to navigate their country’s AIDS crisis. With more than 4.5 million HIV infections across India at the time, often, the women and girls’ only defense against HIV was convincing men to wear condoms. But frequently, the documentary revealed