The Crown Prince of Saudi Arabia (full documentary) | FRONTLINE

A documentary exploring how artificial intelligence is changing life as we know it — from jobs to privacy to a growing rivalry between the U.S. and China. FRONTLINE investigates the promise and perils of AI and automation, tracing a new industrial revolution that will reshape and disrupt our world, and allow the emergence of a surveillance society. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the John D. and Catherine T. MacArthur Foundation and the Ford Foundation. Additional funding is provided by the Abrams Foundation, the Park Foundation, The John and Helen Glessner Family Trust, and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation.

FRONTLINE goes inside the showdown between U.S. President Donald Trump and the courts over presidential power. President Donald Trump’s allies, opponents and experts talk about how he is testing the extent of his power, the legal pushback and the impact on the rule of law. “Trump’s Power & the Rule of Law” is a FRONTLINE production with Kirk Documentary Group, Ltd. The director is Michael Kirk. The producers are Michael Kirk, Mike Wiser, Vanessa Fica and Philip Bennett. The writers are Michael Kirk & Mike Wiser. The reporters are Vanessa Fica and Brooke Nelson Alexander. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath. Explore additional reporting on “Trump’s Power & the Rule of Law” on our website: FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, and the FRONTLINE Journalism Fund, with major support from Jon

"Fire in Paradise" - A year after the devastating Camp Fire, FRONTLINE examines who’s to blame and why it was so catastrophic. With accounts from survivors and first responders, the documentary tells the inside story of the most destructive fire in California's history, its causes and the impact of climate change. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the John D. and Catherine T. MacArthur Foundation and the Ford Foundation. Additional funding is provided by the Abrams Foundation, the Park Foundation, The John and Helen Glessner Family Trust, and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation.

Decades after the Vietnam War shattered his childhood, journalist Nguyen Qui Duc traveled to his homeland and documented the changes he witnessed in the country. (Aired 2003) Decades ago, the Vietnam War shattered Nguyen Qui Duc’s childhood. Over the years, Nguyen, who came to the U.S. as a refugee, returned to his homeland as a journalist, reporting on the country’s culture and establishing connections with writers and artists living there. In 2003, he documented a journey through Vietnam for FRONTLINE/World, looking, he said, “for home, for a bit of myself, for a country that always exists in my memory.” As Nguyen traveled to different parts of the country in “Vietnam: Looking for Home,” he shared his reflections about the nation: “It’s easy to remember Vietnam has a habit of adopting and resisting changes. The culture, the people, will survive.” Several years after “Vietnam: Looking for Home” aired, Nguyen returned to Vietnam, this time for good. He filed occasional dispatches with FRONTLINE and FRONTLINE/World, and opened an influential arts and culture salon that pushed the boundaries of Vietnam’s communist government. Nguyen

A 2004 examination of India’s AIDS crisis through the eyes of girls and young women sold into sex work, originally aired as part of the FRONTLINE/World series. (Aired 2004) Starting with “India: The Sex Workers,” we are making episodes from FRONTLINE/World’s archive newly available here on the original video platform and on pbs.org as part of an effort to make our past reporting widely accessible. Originally developed by FRONTLINE producers in conjunction with public television stations KQED San Francisco and WGBH Boston, FRONTLINE/World launched in 2002 as a national public TV series that turned its lens on the global community, covering countries and cultures rarely seen on American television. The series completed its final broadcast season in 2010. At the time this FRONTLINE/World documentary was filmed, more than two million women and girls were working in India’s sex trade, and being forced to navigate their country’s AIDS crisis. With more than 4.5 million HIV infections across India at the time, often, the women and girls’ only defense against HIV was convincing men to wear condoms. But frequently, the documentary revealed

Inside a counterterrorism police unit in Karachi, Pakistan, dedicated to tracking down suspected members of the Pakistani Taliban. (Aired 2015) In the nearly five years since the Taliban seized control of Afghanistan, there’s been a dramatic increase in attacks within neighboring Pakistan by the militant group Tehreek-e-Taliban Pakistan, commonly called the Pakistani Taliban or TTP. Pakistan has accused Taliban-controlled Afghanistan of harboring the group and enabling it to launch cross-border attacks, which the Afghan government denies — and in recent weeks, the fight between the two countries escalated into what Pakistan’s government called “open war.” Against this volatile backdrop, FRONTLINE’s 2015 documentary “Taliban Hunters” offers relevant history on TTP and Pakistani security forces’ fight against it. This short documentary went inside a Karachi-based counterterrorism police unit dedicated to tracking down Taliban suspects. As the documentary reported, TTP first emerged in 2007 and used to have only a small, underground presence in Karachi, Pakistan’s largest city. But by the time the documentary aired, the group had been gaining ground in the city of over 20 million people, and carrying out suicide