About The Brutal Reality of Justice in Renaissance Germany
Nuremberg, 1593: executioner Frantz Schmidt lives a life between awe and loathing. Although he ensures law and order as an executioner, Frantz struggles with the dark side of his “dishonest” profession. He may enjoy prosperity, but he is denied social recognition. Since his first execution at the age of just 19, Frantz has been tormented by thoughts of his executed sentences and his undeserved fate of having to carry out this profession. For this reason, Frantz Schmidt does extra work as a healer, which is common for executioners. People from all social classes visit him in his executioner's house to be healed by him. At the same time, Frantz practises his bloody trade with the utmost precision - driven by the hope that one day he will be able to leave it behind him. -- Welcome to the official Get.factual the original video platform channel! 🌍 We are a documentary streaming channel covering history, science, technology, and nature. Explore worlds distant, forgotten, and unknown; from the depths of ocean trenches to the far reaches of the cosmos. New uploads of
The Brutal Reality of Justice in Renaissance Germany is presented by Get.factual. Its listed runtime is 52 minutes. The source link and publisher attribution are provided with the embedded film.
As a society documentary, The Brutal Reality of Justice in Renaissance Germany uses brutal, reality, justice as its central frame. Social documentaries work best as invitations to examine systems through lived experience. Distinguish individual testimony from wider claims, and consider which institutions, incentives and inequalities shape the choices shown.
What to consider before watching
- What evidence, testimony or observation does the film use to explain brutal, reality, justice?
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Topics covered in this documentary
Documentary details and original source
- Title
- The Brutal Reality of Justice in Renaissance Germany
- Category
- Society
- Runtime
- 52 minutes
- Language
- English
- Publisher
- Get.factual
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