About Rebuilding The Giant WW1 Flamethrower That Terrified The Enemy | Breathing Fire
In part two of this Time Team special, Tony Robinson has been joined by the British Royal Engineers as they tried to rebuild and test the world's largest ever flamethrower. The Livens Large Gallery Flame Projector was a 60 foot behemoth that could engulf targets 300 feet away in flames. The terrifying weapon was deployed at the Battle of the Somme, one of the bloodiest battles of the First World War. War Stories is your one stop shop for all things military history. From Waterloo to Verdun, we'll be bringing you only the best documentaries and stories from history's most engaging and dramatic conflicts. You can find more from us on
Rebuilding The Giant WW1 Flamethrower That Terrified The Enemy | Breathing Fire is presented by War Stories. Its listed runtime is 47 minutes. The source link and publisher attribution are provided with the embedded film.
As a society documentary, Rebuilding The Giant WW1 Flamethrower That Terrified The Enemy | Breathing Fire uses rebuilding, giant, flamethrower as its central frame. Social documentaries work best as invitations to examine systems through lived experience. Distinguish individual testimony from wider claims, and consider which institutions, incentives and inequalities shape the choices shown.
What to consider before watching
- What evidence, testimony or observation does the film use to explain rebuilding, giant, flamethrower?
- Which people, institutions or historical conditions most influence the story told in Rebuilding The Giant WW1 Flamethrower That Terrified The Enemy | Breathing Fire?
- How does War Stories' framing affect the documentary's emphasis, and which perspectives may deserve further research?
Topics covered in this documentary
Documentary details and original source
- Title
- Rebuilding The Giant WW1 Flamethrower That Terrified The Enemy | Breathing Fire
- Category
- Society
- Runtime
- 47 minutes
- Language
- English
- Publisher
- War Stories
Free Documentary Vault provides independent discovery, organization and editorial context. The film remains hosted by its original publisher, who controls availability and playback.






